Video Games

                 trying something a little different this time...  


Personal diary of Margot Spoon. Entry dated 27th May 2012. Evidence Item Log #46331. Maryland State PD.


    27/5/12 Sunday

The one is about you. But aren’t they all? Well, they’re all about me really, but this one is also about you.

I wore those nice purple knickers that you say you like. Did you even notice? Actually, I should back track because that’s not the start of it. The start of it is that I don’t have a key. I don’t have a key, which is fine, I would flat out refuse a key anyways, but it would just mean that I can get in and out of your fucking house. Like when I leave my makeup bag in your bathroom but I’ve already closed the front door and then I’m locked out. Thanks. That’s what I would say to you. THANKS.

Today, as always, it was getting in that was the problem. This is how it went — I try calling you on my drive back but you don’t answer. Then, at your front door, I’m knocking without response. And then I’m knocking so loudly that your neighbour comes out to see what’s going on. And THEN, my husband calls and I know that if I don’t answer he’ll start to panic a little bit.

So there I was, on your front steps feeling your neighbour’s eyes penetrating my skirt, seeing my inappropriate purple underwear, wondering why I was talking to one man on the phone while I waited outside the door of another man’s house like a fucking five dollar whore.

But of course he was thinking nothing of the sort — your neighbour. Those were MY thoughts.

And THAT was the point that I had a tiny, quiet moment full of questions. It went like this — Is it the sex? Is it the danger, the risk? Is it just a habit I have created? Is it the comfort I feel after so long without any comfort? Is it my lack of self control? Is it you?

Is it YOU?

By the time I realise it’s none of those things and nor do I have any answers, you’re at the door, opening it, and I can see you’re wearing that ridiculous microphone headset.

‘Sorry baby,” you say as you let me in and I would believe the apology if you didn’t immediately  turn away and hurry back to the video game that I know is the reason you took so long to answer the fucking door. I want to leave right then and there, and so I pause in the hallway, my overnight bag in one hand, my phone in the other with my husband’s missed call. I watch you un-pause your video game on the couch, and to you, it’s as if you it’s as if the last fifteen seconds didn’t happen. And maybe they didn’t.

I think about walking back out the door but I’m tired and I’m frisky and I’m hungry. Plus, my husband thinks I’m staying at Kate’s tonight and she thinks I’m staying at home. I don’t want to go home, but if I actually show up at Kate’s it will be cuddling and then I’ll get her off and then she’ll lick me and all I’ll be wishing is that someone would actually fuck me. And hard. With a dick. I know that’s selfish. I’m no stranger to my own lack of appreciation for the things that I do have have in life.

To be fair though; my diary is about the ego. So let it be that this is my ego talking, in order of make me feel less culpable. And there it is — I already feel it less.

Anyway, I’m at your house and I don’t leave. I don’t go home. I don’t go to Kate’s. I undress and, in only my underwear, I come and sit next to you on the couch. For obvious reasons I am convinced that this will work, but you LITERALLY don’t look away from the television screen.

I sigh. My eyes ache. I want to take out my contacts, and let’s face it, maybe I’d like you more right now if you were blurry. I lean in and kiss your neck but the only response I get is a small humming sound. You still don’t look at me. You are transfixed on Halo. I know it’s called ‘Halo’ because you might have said it to me a million times. Maybe more. It was a couple of months ago when you first bought this video game and it’s your money to spend so I kept my mouth shut.

But now, here on your couch in my inappropriate knickers, I wish I had said something. I want to you tell you that you’re a halfwit and a fool. I want to scream it out loud and paint it on your god damned walls. I want to paint it on your face. I want to paint it in your blood.

You’re talking and for a moment I think it’s to me and so I go open my mouth to say something in response, but then you wave me away with a hand and I feel my anger and it’s almost tangible.

You’re talking into your headset and I think of all the times you have come on my back. In the interests of full disclosure via my ego, I will say that I always liked it, but that is beside the point. I think of all the times you’ve come on my chest. I think of all the times you’ve come on my face. And in my mouth.

I recompose myself and sidle up next to you. The gunfire from your Halo game is distracting. ‘How about we have a little nap?’ I suggest. You appear not to hear me. You talk again, and AGAIN, it’s not to me.

I’m vibrating. I feel it more as I stand up and look directly at you from the side. I’m cold in just my knickers and my eyes still itch — I’m at the point where I NEED to take out my contacts. ‘Baby?’ I ask, one last time.

If you register the words you fail to show it. You frantically thumb buttons and I see your eyes dart back and forth as they follow the graphics on the screen. I circle the couch until I am behind you and I feel as if I’m floating above us. I think to myself that perhaps even if I could break open the heavens, your attention wouldn’t be caught. Perhaps I could wake the dead and your attention wouldn’t be caught..

It’s easy to grab the thin cord of the game controller and quickly wrap it around your neck; the neck that I just kissed. There’s a long moment before you reach up to grab at my hands because apparently you thought this was something kinky. You were wrong.

I tighten the cord and feel you struggle against it. You’re strong and you pull forward and one of my hands slips but I have my knee up on the back of the couch. Leverage. That’s what I have. For once. LEVERAGE.

It takes longer than I imagined. You scratch at my hands with your fingernails and try to get out by sliding downwards, but you weren’t expecting this. No one would have expected this from me I suppose. I almost lose you a few times but I think of your come on my face and somehow it gets easier to keep the cord pulled tight and fast around your neck.

Your last breath is silent. I almost don’t even notice it. Ironic, really. Isn’t it? I let go and push you a little. You slump forwards. Your video game controller falls to the floor. I think it might crack open. Your game — Halo — continues on the television. On the screen things explode, vividly coloured aliens attack your virtual character, and I bite my lip.

It happened again. My husband is going to be so mad.

Untitled

I’m parked outside your house and I can feel time passing normally. It slips through my fingers and I don’t hold onto it despite knowing that I can.

The street light above me flickers and I think of that song. Touch me, it’s so easy to leave me, all alone in the moonlight.

No, it wasn’t ‘a street light flickers’. It was ‘a street light gutters’. Different, I suppose.

And soon it will be morning.

Whatever. I hate that song anyways.

Your front porch light clicks on and I jump, but it’s only your cat activating the sensor. I see it slink off into the bushes. All your blinds are pulled up and the internal lights are on so your family doesn’t seem to notice the porch light. Lucky. Not that it would matter to me. Well, not really.

I crawl over the center console and exit through the passenger seat so that I can slip around the back of my car and into the thick hedge that guards your front yard.

I want to watch you in your element, sweetness. I want to see the way you are now — without me. I want to see how you are with him, sweetness — your husband.

~~~

It starts to rain and I feel the urge to stop it but I want to see you — because through the window, in the yellow glow of your kitchen light, I see you chopping onions and chicken and all I can hear is you saying how you hate to cook. All I hear is how it’s such a goddamned stereotype for women to be in the kitchen doing what men tell them to do. What men expect them to do.

And yet here you are. With your shiny engagement ring and your sparkling wedding ring and your hollow smile. You’re wearing a fucking apron. And sautéing. And forcing a smile. And doing all the things you swore you would never do.

Never. Ever. Do.

You’re a lying sack of shit, sweetness. You are the scum that I scraped off my toilet bowl last night.

You are the girl I lost hold of.

And you’re all that I can think about anymore.

~~~

Eventually the safety light turns off and I get a better view of you in the kitchen and him pouring a glass of fucking chardonnay. For himself. You cut roughly through a stubborn tomato and it spurts onto your dress above your apron. I watch you try to wipe it off but I see he’s angry. You failed to please him.

I see you eye the wine.

I know you want some and I know he probably disapproves of you drinking at all. If only he knew you and who you really were.

What you want is a shot of tequila. Or an old fashioned. Or some smooth whiskey over ice.

I know what you want sweetness.

He — your husband — knows nothing about you.

~~~

From the hedge I can’t hear you but I can see him exiting the kitchen and taking up a seat in the lounge. He turns on the NFL and I see you cringe as you realise you’re going to have to watch it all night. Your hand shakes. You look across at the bottle of wine and quickly turn back to the tomato-chopping that is your job.

I know you’re absolutely dying for a cigarette.

No. Better. A fucking cigar.

The stink of it. The heat of it. The weight of it in your hand.

A cigar and a whiskey. I know you sweetness.

I know what you want.

I continue to watch as you focus on your tomato and he turns the volume up on the television. The tension in your neck makes me angry and I want to bust in there and save you from your fate. But you made your choices.

I watch him laugh out loud at an advertisement on the box and I watch you shrink further down. And that’s when I decide to stop it.

I stop time.

~~~

Inside the house your husband is the first person I walk by and I mark him an idiot for not bothering to lock the front door behind him. His mouth is open and there’s a droplet of spit hanging between his lips and the palm of his out-held hand. I have a strong urge to take his hand and stuff it into his mouth and twist his legs back the wrong way until they buckle and break.

I stop myself. I know that things can’t be undone.

I focus on you.

You, sweetness. With your apron and your glossy hair and your shiny heels. Right now — you are everything that I know you not to be. You’re trying too hard to fit into his life. You are mushing yourself into a mold that isn’t worth it, a mold that will turn you out like a smooth, self-loathing chocolate bunny rabbit.

I touch your hair and it is softer and cleaner than I remember it to be. I kiss your neck, but it is as smooth as I remember it to be. You are rigid, frozen in time, and so am I, but in a different way. I hold you tight and I rut up into you and all I want is for you to be mine forever.

Is that too much to ask?

~~~

I start time again.

I am in the other room now, your bedroom, and neither of you notice. I listen to your back and forth as I silently rifle through your drawers of clothing.

“Carrots?” you ask.

He’s watching the game. “Hmm. Whatever.”

I hear you dissolve and I know he doesn’t see it.

I see it. I see it in how quiet you are in response.

~~~

I stop time.

I can’t rewind and I can’t fast-forward. I wait a little longer this time, glad that I don’t have to hear your forced words and his uninterested responses. I’m always surprised by how excruciatingly quiet it is when the world stops. Deafening — it presses in on me and sometimes I can barely stand it.

The majority of your knickers are sensible in a repeating trio of beige, black, and dark blue, but right at the back of the drawer my fingers find a pair of socks that aren’t soft enough. Your vibrator.

I wonder if he knows, at the same time realising that, of course, he doesn’t. I bet he can’t even make you come. Does he try?

A range of pills inhabit your mirrored medicine cupboard and I pocket a few just for my own amusement. For later, after I go home and pretend like I’m going to sleep.

Your makeup is a neat yet excessive collection of overly expensive brands that fill a deep drawer under the sink. I remember you wearing dark eye liner and smudged mascara and I remember, every Sunday morning, with the help of a coffee and then a cigarette, you’d pluck the stray hairs of your eyebrows and complain how women would never be set free from all the fucking expectations.

Still, every Sunday morning, you’d pluck away until you were down to the filter and the skin above your eyes was red and puffy.

We fought more than was necessary but you were always my best girl, sweetness. If only I could rewind.

But all I can do is stop.

~~~

Your house is nice but it’s not you at all. Plush carpet (carpet is dirty and I don’t vacuum), eggshell walls (yeah…I don’t scrub walls), and too many bedrooms for what is needed in my opinion (who needs this many room?! It’s only more space to clean).

You were never the domestic type.

That song is still playing in my head.

And soon it will be morning. Touch me, it’s so easy to leave me, all alone in the moonlight.

I don’t even think those lyrics are aright. Morning is a long way off, but for the moment I still have time stopped, so it doesn’t matter.

Back in the kitchen I’m tempted to lift up your dress to see how you’re keeping things for him. That’s too far though. Instead I take a glass from the cabinet, pour some wine and place it just next to your chopping board. I press my face into your neck and you smell just like the girl I know you are. I pull your hair and your head cocks back and I remember how much you liked that.

I take a step back and admire your long, curling locks that hang from your tilted head.

I start time again.

~~~

You start backward but immediately catch yourself and straighten your neck again. You drop the knife and he calls from the living room when he hears it clatter on the bench.

“Everything alright?”

You cough. “Yes baby. Just slipped. Sorry, get back to your game.”

He doesn’t respond and that’s when you notice the wine. From behind, I watch you hesitate. You continue to chop your tomato and I know you want the drink — you want to let go and give in and give up — and he laughs in the living room and I see you tense up again.

I’m breathing as quietly as I can, and there’s no reason for you to expect me to be behind you, but still, my nerves and the exhilaration of even being here in your house is making me thump hard with adrenaline. My heart beats in my chest. I worry you’ll hear it.

You don’t. You don’t even turn. You place the knife down almost silently and lift the glass to your lips. You drain it. I wonder if it’s sheer want or terror that makes you do it.

You put your glass back down and I can’t help myself. I stop time and refill it. And then I get close enough to brush my lips against your neck and I immediately regret it. I want you. Badly. I want to pick you up and take you out of this awful house and away from this man who doesn’t love you. I want to hold your warmth close to my own and go back to the days we had. The days where we would be high or drunk or just inebriated in one way or another. I want to fix you but I know I’m probably the one who needs fixing.

I stop myself. I know that things can’t be undone.

You’re halfway through the second glass when I stop time.

I take it from your hand and empty it into the sink. I wash it, dry it, place it back in the cupboard, and arrange you to chop the tomato — as if you had been chopping it the whole time.

I want to brush my finger across your lips and hold you close to me. Close enough that you could feel how much I still want you. It’s always been you, sweetness. Yours is the name I say when I get there.

Every time.

I can’t rewind and I can’t fast-forward. I know I shouldn’t have come here at all, but just like you, I find it hard to help myself.

I walk out of your front door and I don’t look back.

I make it to the end of your garden path and out onto the street. The moon is bright above me and I’m singing that fucking song in my head again. A streetlamp gutters. 

 I’m looking back at your house. I start time again. I don’t notice the black Leviathan and there is less than a second before it hits me. I am man against RangeRover, and I lose.

Self Preservation

Self Preservation

You must think I'm crazy,
The way that I hold onto you,
....It's when you walk away, I go crazy
And now I'm wasting all my love on you...

- Art Of Sleeping, 'Crazy'



Charlotte sat in the living room, nervously tapping her feet on the floor.  Dinner was on — the pork was roasting slowly in the oven, filling the house with warm delicious smells. She’d gone all out and done crispy potatoes, butter carrots, baked beets, and crackling. She knew he’d be impressed especially with the fern and gourde table setting, but would he really be happy with her? She tried so hard, still, sometimes all the things she did were not enough. Sometimes…

Charlotte crossed one leg over the other and checked herself. Hair neat and straight; dress pressed, and cardigan buttoned; heels shiny; neck watermarked with his favourite perfume. She glanced up at the clock on the living room wall — he’d be home in half an hour. Charlotte needed distraction. She needed to busy herself. After checking on the pork which was a pleasing golden brown, she made him a dry martini with two olives.  She placed it in the freezer and continued to fret quietly in the kitchen until she heard the front door unlock and creak open. She hurried to meet him.

“Avery darling.” Charlotte took his bag and leant in to kiss his cheek.
Her husband hummed a happy Hello and pulled her body into his — he was in a good mood and she couldn’t help but smile secretly to herself.
“Smells good sweetheart,” he said as he let her go and went into the living room. She closed the front door and set his bag on the entry table.
“What is it?” he called.
“Roast pork hun. And vegetables.”
She came into the living room and he motioned her over, “Come here. Let me have my wife.”
Charlotte did as he asked and giggled when he pulled her down onto his lap and kissed her neck playfully.
“Mmm, you look nice tonight. Special occasion?”
“No,” she lied.
He held her close and she felt his fingers at the zip on the back of her dress.
Charlotte pulled away. “The table is made,” she protested, “and I need to get the pork out.”
Avery sighed, “Fine, but you’re all mine later.”
She scrambled off him and straightened herself while Avery rolled his eyes dramatically, “A guy tries to have a little fun,” he teased, crossing his arms, “and all he gets is rejection.”
A little fun. Charlotte felt a few small, bitter thoughts creating a bad taste at the back of her throat, but she smiled and bent down to peck him on the cheek before her face could betray her. She retreated to the kitchen, heart pounding. Please let it be good enough. Please let her be good enough.

She turned off the oven and opened the door to let the pork rest as she reclaimed Avery’s martini from the freezer and gathered the pieces of herself together again.

“Oh, you read my mind,” he beamed as she handed him the frosty glass and sat down on the edge of the opposite couch.
“Tell me about your day?”
He shrugged off the question, “It would only bore you my love. Need a hand with dinner?”
“No, no, you just relax.”

Back in the kitchen Charlotte carved the meat and dished out the vegetables. Everything had turned out very well and she was pleased, relieved even. Everything was done. Everything was ready for him.
“Avery!” she called, “dinner is served.”

They ate quietly, as they always did. Avery said that, to enjoy a meal, was to focus entirely on the food without distraction or haste. Charlotte supposed he was right but she always felt nervous around dinner time, fearful that he…
No. She shook the thought from her mind — she was confident tonight. The meal was good, if she did say so herself, and everything else would be good as well.

When he was done, Avery finally looked up and almost laughed, “Jesus Char, those potatoes were amazing. Duck fat?”
“Mmmhmm,” she nodded.
He pressed his lips together with a smacking sound and finished his drink.

Charlotte cleared away the plates and had already poured him another when she felt Avery behind her, warm, hands slipping around her waist.
She giggled, “Stop! I’ll spill.”
He laughed in kind and as she turned to hand him the glass, their eyes met.
“I’ve got something for you,” she said, as he touched a hand gently to her face.
Avery sipped the martini, but kept her pinned against the sink with his body, “A gift?”
She smiled, “For you.”
There was a glint in his eyes then, but as she saw them settle on the yellowing bruise that was high on her cheek he pulled away a little, “Is this about…” he hesitated, “Lately? Because you know I’m sorry. I get…”
She looked down but didn’t shake her head, “No. It’s okay.”
“It’s not though. I get…carried away.”
Charlotte could see him trying to remember how she’d got the bruise, and failing. He often forgot.
She never did.
Avery was retreating — putting space between them. It was cold space that she never liked. He was trying to undo things in his head that couldn’t be undone. Charlotte was on the verge of tears.
“Come,” she took his hand in hers, “Don’t you want to see your gift?”
He looked sheepish and bit his lip. Avery was almost like a child at times.

They slipped out through the back kitchen door and Charlotte kept hold of his hand until they were right in middle of the long back porch, looking out into the cool night. They had nine, beautiful, sprawling acres of uncleared land, teeming with birds and old gnarled trees — a veritable sanctuary.

Charlotte turned Avery to stand so he was looking out at the huge oak that sat in darkness behind the house. It was a kind of gateway between the manicured lawn and the unruly acreage. “Ready?” she asked.
He nodded silently.

She flicked the switch on the wall and the lights came on. They ran in an amber half-moon from the ends of the porch up to the oak. They took a few moments to brighten enough, but when Avery saw his gift, the smile on his face was enough for Charlotte. She could finally breathe — it was enough.

“Oh. Char,” he breathed.
She returned to him and took his drink to put it on the porch table, “All yours, baby. I tried hard this time. Do you like?”
He took her face in his hands then and whispered I’m sorry, before he kissed her mouth. He was coming back to her. The bruise on her cheek ached, but it was nothing now. Nothing, compared to the relief she felt; nothing compared to the devotion she felt. Conflicting and harmonious. To have him back and to know, at the same time, that there would always be another bruise.

But not tonight.

“Would you?” Avery asked.
Charlotte smiled,  “Of course.”

The kitchen scissors were already pushed down into the front of her dress but Charlotte had that awful moment, like she always did, when she swallowed hard, and spread a hand out to touch her guilt. She quietly brushed it aside.

Her heels sunk into the damp earth of the lawn as she made her way over to the oak. It was tall and noble. It served them — as the stake to which they could tether their lamb.

She felt her hands shaking as  she cut through the rope that was taught against the tree. And then she knelt, not caring that the grass was staining her dress under knees or that the cold air was goose-pimpling her skin.

“Best run now,” she whispered to the dark haired girl who had fallen forward onto the grass. The girl who didn’t deserve any of what she was about to suffer.

The girl who would be Charlotte for a night.